Painted in 1905–6, Gertrude Stein ( 47.106) records Picasso’s new fascination with pre-Roman Iberian sculpture and African and Oceanic art. At the Steins he met other artists living and working in the city-generally referred to as the School of Paris-such as Henri Matisse (1869–1954). In Paris, he found dedicated patrons in American siblings Gertrude (1874–1946) and Leo (1872–1947) Stein, whose Saturday-evening salons in their home at 27, rue des Fleurus was an incubator for modern artistic and intellectual thought. In this painting, he used his own image for the harlequin figure and abandoned the daunting blues in favor of vivid hues, red for example, to celebrate the lives of circus performers (categorically labeled his Rose Period). In At the Lapin Agile ( 1992.391) from 1905, Picasso directed his attention toward more pleasant themes such as carnival performers, harlequins, and clowns. Picasso moved to Paris in 1904 and settled in the artist quarter Bateau-Lavoir, where he lived among bohemian poets and writers such as Guillaume Apollinaire (1880–1918) and Max Jacob (1876–1944). The elongated, corkscrew bodies of El Greco (1540/41–1614) inspire the man’s distorted features. In The Blind Man’s Meal ( 50.188) from 1903, he uses a dismal range of blues to sensitively render a lonely figure encumbered by his condition as he holds a crust of bread in one hand and awkwardly grasps for a pitcher with the other. Picasso’s paintings from late 1901 to about the middle of 1904, referred to as his Blue Period, depict themes of poverty, loneliness, and despair. Living intermittently in Paris and Spain until 1904, his work during these years suggests feelings of desolation and darkness inspired in part by the suicide of his friend Casagemas. Born in Málaga, Spain, in 1881, Picasso studied art briefly in Madrid in 1897, then in Barcelona in 1899, where he became closely associated with a group of modernist poets, writers, and artists who gathered at the café Els Quatre Gats (The Four Cats), including the Catalan Carlos Casagemas (1880–1901). His creative styles transcend realism and abstraction, Cubism, Neoclassicism, Surrealism, and Expressionism. His prolific output includes over 20,000 paintings, prints, drawings, sculptures, ceramics, theater sets and costumes that convey myriad intellectual, political, social, and amorous messages. The artistic genius of Pablo Picasso (1881–1973) has impacted the development of modern and contemporary art with unparalleled magnitude.
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